My Life, Richard Wagner [little readers .txt] 📗

with all the eloquence at my command I could never convince him on the point. At last, however, I could no longer refuse to consider the advisability of preparing a suitable translation of the poem.

Arrangements for this work had so far progressed very slowly. As I have already said, I had found M. de Charnal altogether incompetent, Roger had permanently disappeared from my sight, and Gasperini showed no real desire for the work. At last a certain Herr Lindau came to see me, who protested that with the aid of young Edmond Roche he could produce a faithful translation of Tannhauser. This man Lindau was a native of Magdeburg, who had fled to escape the Prussian military service. He had first been introduced to me by Giacomelli on an occasion when the French singer engaged by him to sing 'L'Etoile du Soir' at one of my concerts had disappointed us, and he had recommended Lindau as a very efficient substitute. This man promptly declared his readiness to undertake this song, with which he was quite familiar, without any rehearsal, an offer which led me to regard him as a genius sent down from heaven on purpose for me. Nothing could, therefore, equal my amazement at the unbounded impudence of the man; for on the evening of the concert he executed his task with the most amateurish timidity; he did not enunciate a single note of the song clearly, and nothing but astonishment at so unprecedented a performance appeared to restrain the audience from breaking out into marked disapproval. Yet, in spite of this, Lindau, who had all sorts of explanations and excuses to offer for his short-comings, contrived to insinuate himself into my house, if not as a successful singer, at least as a sympathetic friend. There, thanks to Minna's partiality, he soon became an almost daily guest. In spite of a certain inward repugnance towards him, I treated him with tolerant good-nature, not so much because of the 'enormous connection' he said he could influence, but because he really showed himself to be a most obliging fellow on all sorts of occasions.

But the fact that finally induced me to grant him a share in the translation of Tannhauser was his suggestion that young Roche should also participate in the work.

I had become acquainted with Roche immediately after my arrival in Paris (in the September of the previous year), and this in a somewhat remarkable and flattering way. In order to receive my furniture on its arrival from Zurich I had to go to the Custom House, where I was referred to a pale, seedy-looking young man, who appeared full of life, however, with whom I had to settle my business. When I wished to give him my name, he enthusiastically interrupted me with the exclamation, 'O, je connais bien Monsieur Richard Wagner, puisque j'ai son portrait suspendu au-dessus de mon piano.' Much astonished, I asked what he knew about me, and learned that by careful study of my pianoforte arrangements he had become one of my most fervent admirers. After he had helped me with self-sacrificing attentions to complete my tiresome business with the Custom House, I made him promise to pay me a visit. This he did, and I was able to obtain a clearer insight into the necessitous position of the poor fellow, who, so far as I was able to judge, showed signs of possessing great poetic talent. He further informed me that he had tried to eke out a precarious living as a violinist in the orchestras of the smaller vaudeville theatres, but that being a married man he would, for the sake of his family, much prefer a situation in some office with a fixed salary and prospects of promotion. I soon found that he thoroughly understood my music, which, he assured me, gave him the only pleasure he had in his hard life. As regards his power of poetical composition, I could only gather from Gasperini and other competent judges that he could, at any rate, turn out very good verse. I had already thought of him as a translator for Tannhauser, and now that the only obstacle to his doing the work, his ignorance of the German language, was removed by Lindau's proffered collaboration, the possibility of such an arrangement at once decided me to accept the latter's offer.

The first thing on which we agreed was that a fair prose translation of the whole subject should be taken in hand, and this task I naturally entrusted to Lindau alone. A serious delay, however, intervened before this was delivered to me, which was subsequently explained by the fact that Lindau was quite unable to provide even this dry version, and had pressed the work on another man, a Frenchman who knew German, and whom he induced to undertake it by holding out hopes of a fee, to be squeezed out of me later on. At the same time Roche turned a few of the leading stanzas of my poem into verse, with which I was well contented. As I was thus satisfied about the ability of my two helpers, I visited Royer in order to make my position secure by obtaining his authority for a contract with the two men. He did not seem to like my placing the work in the hands of two perfectly unknown people; but I insisted that they should at least have a fair trial. As I was obstinately resolved not to withdraw the work from Roche, but soon realised Lindau's complete inefficiency, I joined in the task myself at a cost of much exertion. We frequently spent four hours together in my room in translating a few verses, during which time I often felt tempted to kick Lindau out, for although he did not even understand the German text, he was always ready with the most impudent suggestions. It was only because I could not think of any other way of keeping poor Roche in the business that I endured such an absurd association.

This irritating and laborious work lasted for several months, during which I had to enter into fuller negotiations with Royer respecting his preparations for the production of Tannhauser, and particularly with regard to the cast and distribution of the parts. It struck me as odd that hardly any of the leading singers of the Opera were suggested by him. As a matter of fact none of them aroused my sympathy, with the sole exception of Mme. Gueymard, whom I would gladly have secured for Venus, but who, for reasons I never clearly understood, was refused me. In order to form an honest opinion of the company at my disposal, I now had to attend several performances of such operas as La Favorita, Il Trovatore, and Semiramis, on which occasions my inner conviction told me so clearly that I was being hopelessly led astray, that each time I reached home I felt I must renounce the whole enterprise. On the other hand, I found continual encouragement in the generous way in which M. Royer, in obedience to authority, now offered to secure me any singer I might choose to designate. The most important item was a tenor for the title- role. I could think of no one but Niemann of Hanover, whose fame reached me from every quarter. Even Frenchmen such as Foucher de Careil and Perrin, who had heard him in my operas, confirmed the report of his great talent. The manager also regarded such an acquisition as highly desirable for his theatre, and Niemann was accordingly invited to come to Paris with a view of being engaged. Besides him, M. Royer wished me to agree to his securing a certain Mme. Tedesco, a tragedienne, who, on account of her beauty, would be a very valuable addition to the repertoire of his theatre, protesting that he could think of no woman better fitted for the part of Venus. Without knowing the lady I gave my consent to this excellent proposal, and moreover agreed to the engagement of a Mlle. Sax, a still unspoiled young singer with a very beautiful voice, as well as of an Italian baritone, Morelli, whose sonorous tones, as contrasted with the sickly French singers of this class, had greatly pleased me during my visits to the Opera. When these arrangements were concluded, I thought I had done all that was really necessary, though I did not cherish any very firm conviction on the matter.

Amid these labours I passed my forty-seventh birthday in a far from happy frame of mind, to which, however, on the evening of this day, the peculiarly bright glow of Jupiter gave me an omen of better things to come. The beautiful weather, suitable to the time of year, which in Paris is never favourable to the conduct of business, had only tended to increase the stringency of my needs. I was and still continued to be without any prospect of meeting my household expenses, which had now become very heavy. As I was ever anxious, amid all my other discomforts, to find some relief from this burden, I had made an agreement with the music-dealer Flaxland for the sale of all my French rights in the Fliegender Hollander, Tannhauser, and Lohengrin for whatever they would fetch. Our contract stipulated that for each of these three operas he was to pay me a sum of one thousand francs down, and further payments on their being performed in a Paris theatre, namely, one thousand francs after the first ten performances, and the same amount for the following performances up to the twentieth. I at once notified my friend Pusinelli of this contract, having made this condition in his favour when selling my operas to Meser's successors. This I did by way of guaranteeing him the repayment of the capital advanced for their publication. I begged him, however, to allow me to retain Flaxland's first instalment on account, as otherwise I should be stranded in Paris without the means of bringing my operas to the point of being profitable. My friend agreed to all my suggestions. The Dresden publisher, on the contrary, was just as disagreeable, and complained at once that I was infringing his rights in France, and so worried Flaxland that the latter felt justified in raising all sorts of difficulties against me.

I had almost become involved in fresh complications in consequence, when one day Count Paul Hatzfeld appeared at my house with a request that I would visit Mme. Kalergis, who had just arrived in Paris, to receive certain communications from her. I now saw the lady again for the first time since my stay in Paris with Liszt in 1853. She greeted me by declaring how much she regretted not having been present at my concerts in the preceding winter, as she had thereby missed the chance of helping me in a time of great stress. She had heard that I had suffered great losses, the account of which she had been told ran to ten thousand francs, and she now begged me to accept that sum from her hand. Although I had thought it right to deny these losses to Count Hatzfeld, when an application was made to the Prussian embassy on behalf of the odious subscription-list, yet I had now no reason whatever for hiding the truth from this noble-hearted woman. I felt as though something were now being fulfilled which I had always been entitled to expect, and my only impulse was an immediate desire to show my gratitude to this rare lady by at least doing something for her. All the friction which disturbed our later intercourse sprang solely from my inability to fulfil this desire, in which I felt ever more and more confirmed by her singular character and restless, unsettled life. For the present I endeavoured to do something for her which should prove the