The Complete Works of William Shakespeare, William Shakespeare [book recommendations based on other books txt] 📗

to supply the places at the table, You know there wants no junkets at the feast.

Lucentio, you shall supply the bridegroom’s place; And let Bianca take her sister’s room.

TRANIO. Shall sweet Bianca practise how to bride it?

BAPTISTA. She shall, Lucentio. Come, gentlemen, let’s go.

Exeunt

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ACT IV. SCENE I.

PETRUCHIO’S country house

 

Enter GRUMIO

 

GRUMIO. Fie, fie on all tired jades, on all mad masters, and all foul ways! Was ever man so beaten? Was ever man so ray’d? Was ever man so weary? I am sent before to make a fire, and they are coming after to warm them. Now were not I a little pot and soon hot, my very lips might freeze to my teeth, my tongue to the roof of my mouth, my heart in my belly, ere I should come by a fire to thaw me. But I with blowing the fire shall warm myself; for, considering the weather, a taller man than I will take cold.

Holla, ho! Curtis!

 

Enter CURTIS

 

CURTIS. Who is that calls so coldly?

GRUMIO. A piece of ice. If thou doubt it, thou mayst slide from my shoulder to my heel with no greater a run but my head and my neck. A fire, good Curtis.

CURTIS. Is my master and his wife coming, Grumio?

GRUMIO. O, ay, Curtis, ay; and therefore fire, fire; cast on no water.

CURTIS. Is she so hot a shrew as she’s reported?

GRUMIO. She was, good Curtis, before this frost; but thou know’st winter tames man, woman, and beast; for it hath tam’d my old master, and my new mistress, and myself, fellow Curtis.

CURTIS. Away, you three-inch fool! I am no beast.

GRUMIO. Am I but three inches? Why, thy horn is a foot, and so long am I at the least. But wilt thou make a fire, or shall I complain on thee to our mistress, whose hand-she being now at hand-thou shalt soon feel, to thy cold comfort, for being slow in thy hot office?

CURTIS. I prithee, good Grumio, tell me how goes the world?

GRUMIO. A cold world, Curtis, in every office but thine; and therefore fire. Do thy duty, and have thy duty, for my master and mistress are almost frozen to death.

CURTIS. There’s fire ready; and therefore, good Grumio, the news?

GRUMIO. Why, ‘Jack boy! ho, boy!’ and as much news as thou wilt.

CURTIS. Come, you are so full of cony-catching!

GRUMIO. Why, therefore, fire; for I have caught extreme cold.

Where’s the cook? Is supper ready, the house trimm’d, rushes strew’d, cobwebs swept, the serving-men in their new fustian, their white stockings, and every officer his wedding-garment on?

Be the jacks fair within, the jills fair without, the carpets laid, and everything in order?

CURTIS. All ready; and therefore, I pray thee, news.

GRUMIO. First know my horse is tired; my master and mistress fall’n out.

CURTIS. How?

GRUMIO. Out of their saddles into the dirt; and thereby hangs a tale.

CURTIS. Let’s ha’t, good Grumio.

GRUMIO. Lend thine ear.

CURTIS. Here.

GRUMIO. There. [Striking him]

CURTIS. This ‘tis to feel a tale, not to hear a tale.

GRUMIO. And therefore ‘tis call’d a sensible tale; and this cuff was but to knock at your car and beseech list’ning. Now I begin: Imprimis, we came down a foul hill, my master riding behind my mistress-CURTIS. Both of one horse?

GRUMIO. What’s that to thee?

CURTIS. Why, a horse.

GRUMIO. Tell thou the tale. But hadst thou not cross’d me, thou shouldst have heard how her horse fell and she under her horse; thou shouldst have heard in how miry a place, how she was bemoil’d, how he left her with the horse upon her, how he beat me because her horse stumbled, how she waded through the dirt to pluck him off me, how he swore, how she pray’d that never pray’d before, how I cried, how the horses ran away, how her bridle was burst, how I lost my crupper-with many things of worthy memory, which now shall die in oblivion, and thou return unexperienc’d to thy grave.

CURTIS. By this reck’ning he is more shrew than she.

GRUMIO. Ay, and that thou and the proudest of you all shall find when he comes home. But what talk I of this? Call forth Nathaniel, Joseph, Nicholas, Philip, Walter, Sugarsop, and the rest; let their heads be sleekly comb’d, their blue coats brush’d and their garters of an indifferent knit; let them curtsy with their left legs, and not presume to touch a hair of my mastcr’s horse-tail till they kiss their hands. Are they all ready?

CURTIS. They are.

GRUMIO. Call them forth.

CURTIS. Do you hear, ho? You must meet my master, to countenance my mistress.

GRUMIO. Why, she hath a face of her own.

CURTIS. Who knows not that?

GRUMIO. Thou, it seems, that calls for company to countenance her.

CURTIS. I call them forth to credit her.

GRUMIO. Why, she comes to borrow nothing of them.

 

Enter four or five SERVINGMEN

 

NATHANIEL. Welcome home, Grumio!

PHILIP. How now, Grumio!

JOSEPH. What, Grumio!

NICHOLAS. Fellow Grumio!

NATHANIEL. How now, old lad!

GRUMIO. Welcome, you!- how now, you!- what, you!- fellow, you!- and thus much for greeting. Now, my spruce companions, is all ready, and all things neat?

NATHANIEL. All things is ready. How near is our master?

GRUMIO. E’en at hand, alighted by this; and therefore be not-Cock’s passion, silence! I hear my master.

 

Enter PETRUCHIO and KATHERINA PETRUCHIO. Where be these knaves? What, no man at door To hold my stirrup nor to take my horse!

Where is Nathaniel, Gregory, Philip?

ALL SERVANTS. Here, here, sir; here, sir.

PETRUCHIO. Here, sir! here, sir! here, sir! here, sir!

You loggerheaded and unpolish’d grooms!

What, no attendance? no regard? no duty?

Where is the foolish knave I sent before?

GRUMIO. Here, sir; as foolish as I was before.

PETRUCHIO. YOU peasant swain! you whoreson malt-horse drudge!

Did I not bid thee meet me in the park And bring along these rascal knaves with thee?

GRUMIO. Nathaniel’s coat, sir, was not fully made, And Gabriel’s pumps were all unpink’d i’ th’ heel; There was no link to colour Peter’s hat, And Walter’s dagger was not come from sheathing; There were none fine but Adam, Ralph, and Gregory; The rest were ragged, old, and beggarly; Yet, as they are, here are they come to meet you.

PETRUCHIO. Go, rascals, go and fetch my supper in.

Exeunt some of the SERVINGMEN

 

[Sings] Where is the life that late I led?

Where are those-

 

Sit down, Kate, and welcome. Soud, soud, soud, soud!

 

Re-enter SERVANTS with supper Why, when, I say? Nay, good sweet Kate, be merry.

Off with my boots, you rogues! you villains, when?

 

[Sings] It was the friar of orders grey, As he forth walked on his way-Out, you rogue! you pluck my foot awry; Take that, and mend the plucking off the other.

[Strikes him]

Be merry, Kate. Some water, here, what, ho!

 

Enter one with water Where’s my spaniel Troilus? Sirrah, get you hence, And bid my cousin Ferdinand come hither: Exit SERVINGMAN

One, Kate, that you must kiss and be acquainted with.

Where are my slippers? Shall I have some water?

Come, Kate, and wash, and welcome heartily.

You whoreson villain! will you let it fall? [Strikes him]

KATHERINA. Patience, I pray you; ‘twas a fault unwilling.

PETRUCHIO. A whoreson, beetle-headed, flap-ear’d knave!

Come, Kate, sit down; I know you have a stomach.

Will you give thanks, sweet Kate, or else shall I?

What’s this? Mutton?

FIRST SERVANT. Ay.

PETRUCHIO. Who brought it?

PETER. I.

PETRUCHIO. ‘Tis burnt; and so is all the meat.

What dogs are these? Where is the rascal cook?

How durst you villains bring it from the dresser And serve it thus to me that love it not?

There, take it to you, trenchers, cups, and all; [Throws the meat, etc., at them]

You heedless joltheads and unmanner’d slaves!

What, do you grumble? I’ll be with you straight.

Exeunt SERVANTS

KATHERINA. I pray you, husband, be not so disquiet; The meat was well, if you were so contented.

PETRUCHIO. I tell thee, Kate, ‘twas burnt and dried away, And I expressly am forbid to touch it; For it engenders choler, planteth anger; And better ‘twere that both of us did fast, Since, of ourselves, ourselves are choleric, Than feed it with such over-roasted flesh.

Be patient; tomorrow ‘t shall be mended.

And for this night we’ll fast for company.

Come, I will bring thee to thy bridal chamber. Exeunt Re-enter SERVANTS severally NATHANIEL. Peter, didst ever see the like?

PETER. He kills her in her own humour.

 

Re-enter CURTIS

 

GRUMIO. Where is he?

CURTIS. In her chamber. Making a sermon of continency to her, And rails, and swears, and rates, that she, poor soul, Knows not which way to stand, to look, to speak.

And sits as one new risen from a dream.

Away, away! for he is coming hither. Exeunt Re-enter PETRUCHIO

 

PETRUCHIO. Thus have I politicly begun my reign, And ‘tis my hope to end successfully.

My falcon now is sharp and passing empty.

And till she stoop she must not be full-gorg’d, For then she never looks upon her lure.

Another way I have to man my haggard, To make her come, and know her keeper’s call, That is, to watch her, as we watch these kites That bate and beat, and will not be obedient.

She eat no meat to-day, nor none shall eat; Last night she slept not, nor tonight she shall not; As with the meat, some undeserved fault I’ll find about the making of the bed; And here I’ll fling the pillow, there the bolster, This way the coverlet, another way the sheets; Ay, and amid this hurly I intend

That all is done in reverend care of her-And, in conclusion, she shall watch all night; And if she chance to nod I’ll rail and brawl And with the clamour keep her still awake.

This is a way to kill a wife with kindness, And thus I’ll curb her mad and headstrong humour.

He that knows better how to tame a shrew, Now let him speak; ‘tis charity to show. Exit

SCENE II.

Padua. Before BAPTISTA’S house

 

Enter TRANIO as LUCENTIO, and HORTENSIO as LICIO

 

TRANIO. Is ‘t possible, friend Licio, that Mistress Bianca Doth fancy any other but Lucentio?

I tell you, sir, she bears me fair in hand.

HORTENSIO. Sir, to satisfy you in what I have said, Stand by and mark the manner of his teaching.

[They stand aside]

 

Enter BIANCA, and LUCENTIO as CAMBIO

 

LUCENTIO. Now, mistress, profit you in what you read?

BIANCA. What, master, read you, First resolve me that.

LUCENTIO. I read that I profess, ‘The Art to Love.’

BIANCA. And may you prove, sir, master of your art!

LUCENTIO. While you, sweet dear, prove mistress of my heart.

[They retire]

HORTENSIO. Quick proceeders, marry! Now tell me, I pray, You that durst swear that your Mistress Blanca Lov’d none in the world so well as Lucentio.

TRANIO. O despiteful love! unconstant womankind!

I tell thee, Licio, this is wonderful.

HORTENSIO. Mistake no more; I am not Licio.

Nor a musician as I seem to be;

But one that scorn to live in this disguise For such a one as leaves a