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*** START OF THIS PROJECT GUTENBERG EBOOK THE SOUND OF SILENCE *** Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net

Transcriber's Note:

This etext was produced from Analog Science Fact & Fiction June 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.

 

THE SOUND
OF SILENCE

 

BY BARBARA CONSTANT

 

Most people, when asked to define the ultimate in loneliness, say it's being alone in a crowd. And it takes only one slight difference to make one forever alone in the crowd....

 

ILLUSTRATED BY SCHELLING
N

obody at Hoskins, Haskell & Chapman, Incorporated, knew jut why Lucilla Brown, G.G. Hoskins' secretary, came to work half an hour early every Monday, Wednesday, and Friday. Even G.G. himself, had he been asked, would have had trouble explaining how his occasional exasperated wish that just once somebody would reach the office ahead of him could have caused his attractive young secretary to start doing so three times a week ... or kept her at it all the months since that first gloomy March day. Nobody asked G.G. however—not even Paul Chapman, the very junior partner in the advertising firm, who had displayed more than a little interest in Lucilla all fall and winter, but very little interest in anything all spring and summer. Nobody asked Lucilla why she left early on the days she arrived early—after all, eight hours is long enough. And certainly nobody knew where Lucilla went at 4:30 on those three days—nor would anybody in the office have believed it, had he known.

"Lucky Brown? seeing a psychiatrist?" The typist would have giggled, the office boy would have snorted, and every salesman on the force would have guffawed. Even Paul Chapman might have managed a wry smile. A real laugh had been beyond him for several months—ever since he asked Lucilla confidently, "Will you marry me?" and she answered, "I'm sorry, Paul—thanks, but no thanks."

Not that seeing a psychiatrist was anything to laugh at, in itself. After all, the year was 1962, and there were almost as many serious articles about mental health as there were cartoons about psychoanalysts, even in the magazines that specialized in poking fun. In certain cities—including Los Angeles—and certain industries—especially advertising—"I have an appointment with my psychiatrist" was a perfectly acceptable excuse for leaving work early. The idea of a secretary employed by almost the largest advertising firm in one of the best-known suburbs in the sprawling City of the Angels doing so should not, therefore, have seemed particularly odd. Not would it have, if the person involved had been anyone at all except Lucilla Brown.

The idea that she might need aid of any kind, particularly psychiatric, was ridiculous. She had been born twenty-two years earlier in undisputed possession of a sizable silver spoon—and she was, in addition, bright, beautiful, and charming, with 20/20 vision, perfect teeth, a father and mother who adored her, friends who did likewise ... and the kind of luck you'd have to see to believe. Other people entered contests—Lucilla won them. Other people drove five miles over the legal speed limit and got caught doing it—Lucilla out-distanced them, but fortuitously slowed down just before the highway patrol appeared from nowhere. Other people waited in the wrong line at the bank while the woman ahead of them learned how to roll pennies—Lucilla was always in the line that moved right up to the teller's window.

"Lucky" was not, in other words, just a happenstance abbreviation of "Lucilla"—it was an exceedingly apt nickname. And Lucky Brown's co-workers would have been quite justified in laughing at the very idea of her being unhappy enough about anything to spend three precious hours a week stretched out on a brown leather couch staring miserably at a pale blue ceiling and fumbling for words that refused to come. There were a good many days when Lucilla felt like laughing at the idea herself. And there were other days when she didn't even feel like smiling.

Wednesday, the 25th of July, was one of the days when she didn't feel like smiling. Or talking. Or moving. It had started out badly when she opened her eyes and found herself staring at a familiar blue ceiling. "I don't know," she said irritably. "I tell you, I simply don't know what happens. I'll start to answer someone and the words will be right on the tip of my tongue, ready to be spoken, then I'll say something altogether different. Or I'll start to cross the street and, for no reason at all, be unable to even step off the curb...."

"For no reason at all?" Dr. Andrews asked. "Are you sure you aren't withholding something you ought to tell me?"

She shifted a little, suddenly uncomfortable ... and then she was fully awake and the ceiling was ivory, not blue. She stared at it for a long moment, completely disoriented, before she realized that she was in her own bed, not on Dr. Andrews' brown leather couch, and that the conversation had been another of the interminable imaginary dialogues she found herself carrying on with the psychiatrist, day and night, awake and asleep.

"Get out of my dreams," she ordered crossly, summoning up a quick mental picture of Dr. Andrews' expressive face, level gray eyes, and silvering temples, the better to banish him from her thoughts. She was immediately sorry she had done so, for the image remained fixed in her mind; she could almost feel his eyes as she heard his voice ask again, "For no reason at all, Lucilla?"

T

he weatherman had promised a scorcher, and the heat that already lay like a blanket over the room made it seem probable the promise would be fulfilled. She moved listlessly, showering patting herself dry, lingering over the choice of a dress until her mother called urgently from the kitchen.

She was long minutes behind schedule when she left the house. Usually she rather enjoyed easing her small car into the stream of automobiles pouring down Sepulveda toward the San Diego Freeway, jockeying for position, shifting expertly from one lane to another to take advantage of every break in the traffic. This morning she felt only angry impatience; she choked back on the irritated impulse to drive directly into the side of a car that cut across in front of her, held her horn button down furiously when a slow-starting truck hesitated fractionally after the light turned green.

When she finally edged her Renault up on the "on" ramp and the freeway stretched straight and unobstructed ahead, she stepped down on the accelerator and watched the needle climb up and past the legal 65-mile limit. The sound of her tires on the smooth concrete was soothing and the rush of wind outside gave the morning an illusion of coolness. She edged away from the tangle of cars that had pulled onto the freeway with her and momentarily was alone on the road, with her rear-view mirror blank, the oncoming lanes bare, and a small rise shutting off the world ahead.

That was when it happened. "Get out of the way!" a voice shrieked "out of the way, out of the way, OUT OF THE WAY!" Her heart lurched, her stomach twisted convulsively, and there was a brassy taste in her mouth. Instinctively, she stamped down on the brake pedal, swerved sharply into the outer lane. By the time she had topped the rise, she was going a cautious 50 miles an hour and hugging the far edge of the freeway. Then, and only then, she heard the squeal of agonized tires and saw the cumbersome semitrailer coming from the opposite direction rock dangerously, jackknife into the dividing posts that separated north and south-bound traffic, crunch ponderously through them, and crash to a stop, several hundred feet ahead of her and squarely athwart the lane down which she had been speeding only seconds earlier.

The highway patrol materialized within minutes. Even so, it was after eight by the time Lucilla gave them her statement, agreed for the umpteenth time with the shaken but uninjured truck driver that it was indeed fortunate she hadn't been in the center lane, and drove slowly the remaining miles to the office. The gray mood of early morning had changed to black. Now there were two voices in her mind, competing for attention. "I knew it was going to happen," the truck driver said, "I couldn't see over the top of that hill. All I could do was fight the wheel and pray that if anybody was coming, he'd get out of the way." She could almost hear him repeating the words, "Get out of the way, out of the way...." And right on the heel of his cry came Dr. Andrews' soft query, "For no reason at all, Lucilla?"

She pulled into the company parking lot, jerked the wheel savagely to the left, jammed on the brakes. "Shut up!" she said. "Shut up, both of you!" She started into the building, then hesitated. She was already late, but there was something.... (Get out of the way, the way.... For no reason at all, at all....) She yielded to impulse and walked hurriedly downstairs to the basement library.

"That stuff I asked you to get together for me by tomorrow, Ruthie," she said to the gray-haired librarian. "You wouldn't by any chance have already done it, would you?"

"Funny you should ask." The elderly woman bobbed down behind the counter and popped back up with an armload of magazines and newspapers. "Just happened to have some free time last thing yesterday. It's already charged out to you, so you just go right ahead and take it, dearie."

I

t was 8:30 when Lucilla reached the office.

"When I need you, where are you?" G.G. asked sourly. "Learned last night that the top dog at Karry Karton Korporation is in town today, so they've pushed that conference up from Friday to ten this morning. If you'd been here early—or even on time—we might at least have gotten some of the information together."

Lucilla laid the stack of material on his desk. "I haven't had time to flag the pages yet," she said, "but they're listed on the library request on top. We did nineteen ads for KK last year and three of premium offers. I stopped by Sales on my way in—Susie's digging out figures for you now."

"Hm-m-m," said G.G. "Well. So that's where you've been. You could at least have let me know." There was grudging approval beneath his gruffness. "Say, how'd you know I needed this today, anyhow?"

"Didn't," said Lucilla, putting her purse away and whisking the cover off her typewriter. "Happenstance, that's all." (Just happened to go down to the library ... for no reason at all ... withholding something ... get out of the way....) The telephone's demand for attention overrode her thoughts. She reached for it almost gratefully. "Mr. Hoskins' office," she said. "Yes. Yes, he knows about the ten o'clock meeting this morning. Thanks for calling, anyway." She hung up and glanced at G.G., but he was so immersed in one of the magazines that the ringing telephone hadn't even disturbed him. Ringing? The last thing she did before she left the office each night was set the lever in the instrument's base to "off," so that the bell would not disturb G.G. if he worked late. So far today, nobody had set it back to "on."

I

t's getting worse," she said miserably to the pale blue ceiling. "The phone didn't ring this morning—it couldn't have—but I answered it." Dr. Andrews said nothing at all. She let her eyes flicker sidewise, but he was outside her range of vision. "I don't LIKE having you sit where I can't see you," she said crossly. "Freud may have thought it was a good idea, but I think it's a lousy one." She clenched her hands and stared at nothing. The silence stretched thinner and thinner, like a balloon blown big, until the temptation to rupture it was too great to resist. "I didn't see the truck this morning. Nor hear it. There was no reason at all for me to slow down and pull over."

"You might be dead if you hadn't. Would you like that better?"

The matter-of-fact question was like a hand laid across Lucilla's mouth. "I don't want to be dead," she admitted finally. "Neither do I want to go on like this, hearing words that aren't spoken and bells that don't ring. When it gets to the point that I pick up a phone just because somebody's thinking...." She stopped abruptly.

"I didn't quite catch the end of that sentence," Dr. Andrews said.

"I didn't quite finish it. I can't."

"Can't? Or won't? Don't hold anything back, Lucilla. You were saying that

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