The Days of Bruce: A Story from Scottish History. Vol. 1, Grace Aguilar [libby ebook reader TXT] 📗
- Author: Grace Aguilar
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AUTHOR OF "HOME INFLUENCE," "THE MOTHER'S RECOMPENSE,"
"WOMAN'S FRIENDSHIP," "THE VALE OF CEDARS"
ETC. ETC.
NEW YORK:
D. APPLETON & CO., 90, 92 & 94 GRAND ST.
1871.
As these pages have passed through the press, mingled feelings of pain and pleasure have actuated my heart. Who shall speak the regret that she, to whom its composition was a work of love, cannot participate in the joy which its publication would have occasioned—who shall tell of that anxious pleasure which I feel in witnessing the success of each and all the efforts of her pen?
The Days of Bruce must be considered as an endeavor to place before the reader an interesting narrative of a period of history, in itself a romance, and one perhaps as delightful as could well have been selected. In combination with the story of Scotland's brave deliverer, it must be viewed as an illustration of female character, and descriptive of much that its Author considered excellent in woman. In the high minded Isabella of Buchan is traced the resignation of a heart wounded in its best affections, yet trustful midst accumulated misery. In Isoline may be seen the self-inflicted unhappiness of a too confident and self reliant nature; while in Agnes is delineated the overwhelming of a mind too much akin to heaven in purity and innocence to battle with the stern and bitter sorrows with which her life is strewn.
How far the merits of this work may be perceived becomes not me to judge; I only know and feel that on me has devolved the endearing task of publishing the writings of my lamented child—that I am fulfilling the desire of her life.
May, 1852.[Pg 7]
CONTENTSThe month of March, rough and stormy as it is in England, would perhaps be deemed mild and beautiful as May by those accustomed to meet and brave its fury in the eastern Highlands, nor would the evening on which our tale commences bely its wild and fitful character.
The wind howled round the ancient Tower of Buchan, in alternate gusts of wailing and of fury, so mingled with the deep, heavy roll of the lashing waves, that it was impossible to distinguish the roar of the one element from the howl of the other. Neither tree, hill, nor wood intercepted the rushing gale, to change the dull monotony of its gloomy tone. The Ythan, indeed, darted by, swollen and turbid from continued storms, threatening to overflow the barren plain it watered, but its voice was undistinguishable amidst the louder wail of wind and ocean. Pine-trees, dark, ragged, and stunted, and scattered so widely apart that each one seemed monarch of some thirty acres, were the only traces of vegetation for miles round. Nor were human habitations more abundant; indeed, few dwellings, save those of such solid masonry as the Tower of Buchan, could hope to stand scathless amidst the storms that in winter ever swept along the moor.
No architectural beauty distinguished the residence of the Earls of Buchan; none of that tasteful decoration peculiar to the Saxon, nor of the more sombre yet more imposing style introduced by the Norman, and known as the Gothic architecture.
Originally a hunting-lodge, it had been continually enlarged by succeeding lords, without any regard either to symmetry or proportion, elegance or convenience; and now, early in the[Pg 8] year 1306, appeared within its outer walls as a most heterogeneous mass of ill-shaped turrets, courts, offices, and galleries, huddled together in ill-sorted confusion, though presenting to the distant view a massive square building, remarkable only for a strength and solidity capable of resisting alike the war of elements and of man.
Without all seemed a dreary wilderness, but within existed indisputable signs of active life. The warlike inhabitants of the tower, though comparatively few in number, were continually passing to and fro in the courts and galleries, or congregating in little knots, in eager converse. Some cleansing their armor or arranging banners; others, young and active, practising the various manœuvres of mimic war; each and all bearing on their brow that indescribable expression of anticipation and excitement which seems ever on the expectant of it knows not what. The condition of Scotland was indeed such as to keep her sons constantly on the alert, preparing for defence or attack, as the insurging efforts of the English or the commands of their lords should determine. From the richest noble to the veriest serf, the aged man to the little child, however contrary their politics and feelings, one spirit actuated all, and that spirit was war—war in all its deadliest evils, its unmitigated horrors, for it was native blood which deluged the rich plains, the smiling vales, and fertile hills of Scotland.
Although the castle of Buchan resembled more a citadel intended for the accommodation of armed vassals than the commodious dwelling of feudal lords, one turret gave evidence, by its internal arrangement, of a degree of refinement and a nearer approach to comfort than its fellows, and seeming to proclaim that within its massive walls the lords of the castle were accustomed to reside. The apartments were either hung with heavy tapestry, which displayed, in gigantic proportions, the combats of the Scots and Danes, or panelled with polished oak, rivalling ebony in its glossy blackness, inlaid with solid silver. Heavy draperies of damask fell from the ceiling to the floor at every window, a pleasant guard, indeed, from the constant winds which found entrance through many creaks and corners of the Gothic casements, but imparting a dingy aspect to apartments lordly in their dimensions, and somewhat rich in decoration.[Pg 9]
The deep embrasures of the casements were thus in a manner severed from the main apartment, for even when the curtains were completely lowered there was space enough to contain a chair or two and a table. The furniture corresponded in solidity and proportion to the panelling or tapestry of the walls; nor was there any approach even at those doubtful comforts already introduced in the more luxurious Norman castles of South Britain.
The group, however, assembled in one of these ancient rooms needed not the aid of adventitious ornament to betray the nobility of birth, and those exalted and chivalric feelings inherent to their rank. The sun, whose stormy radiance during the day had alternately deluged earth and sky with fitful yet glorious brilliance, and then, burying itself in the dark masses of overhanging clouds, robed every object in deepest gloom, now seemed to concentrate his departing rays in one living flood of splendor, and darting within the chamber, lingered in crimson glory around the youthful form of a gentle girl, dyeing her long and clustering curls with gold. Slightly bending over a large and cumbrous frame which supported her embroidery, her attitude could no more conceal the grace and lightness of her childlike form, than the glossy ringlets the soft and radiant features which they shaded. There was archness lurking in those dark blue eyes, to which tears seemed yet a stranger; the clear and snowy forehead, the full red lip, and health-bespeaking cheek had surely seen but smiles, and mirrored but the joyous light which filled her gentle heart. Her figure seemed to speak a child, but there was a something in that face, bright, glowing as it was, which yet would tell of somewhat more than childhood—that seventeen summers had done their work, and taught that guileless heart a sterner tale than gladness.
A young man, but three or four years her senior, occupied an embroidered settle at her feet. In complexion, as in the color of his hair and eyes, there was similarity between them, but the likeness went no further, nor would the most casual observer have looked on them as kindred. Fair and lovely as the maiden would even have been pronounced, it was perhaps more the expression, the sweet innocence that characterized her features which gave to them their charm; but in the young man there was infinitely more than this, though effem[Pg 10]inate as was his complexion, and the bright sunny curls which floated over his throat, he was eminently and indescribably beautiful, for it was the mind, the glorious mind, the kindling spirit which threw their radiance over his perfect features; the spirit and mind which that noble form enshrined stood apart, and though he knew it not himself, found not their equal in that dark period of warfare and of woe. The sword and lance were the only instruments of the feudal aristocracy; ambition, power, warlike fame, the principal occupants of their thoughts; the chase, the tourney, or the foray, the relaxation of their spirits. But unless that face deceived, there was more, much more, which charactered the elder youth within that chamber.
A large and antique volume of Norse legends rested on his knee, which, in a rich, manly voice, he was reading aloud to his companion, diversifying his lecture with remarks and explanations, which, from the happy smiles and earnest attention of the maiden, appeared to impart the pleasure intended by the speaker. The other visible inhabitant of the apartment was a noble-looking boy of about fifteen, far less steadily employed than his companions, for at one time he was poising a heavy lance, and throwing himself into the various attitudes of a finished warrior; at others, brandished a two-handed sword, somewhat taller than himself; then glancing over the shoulder of his sister—for so nearly was he connected with the maiden, though the raven curls, the bright flashing eye of jet, and darker skin, appeared to forswear such near relationship—criticising her embroidery, and then transferring his scrutiny to the strange figures on the gorgeously-illuminated manuscript, and then for a longer period listening, as it were, irresistibly to the wild legends which that deep voice was so melodiously pouring forth.
"It will never do, Agnes. You cannot embroider the coronation of Kenneth MacAlpine and listen to these wild tales at one and the same time. Look at your clever pupil, Sir Nigel; she is placing a heavy iron buckler on the poor king's head instead of his golden crown." The boy laughed long and merrily as he spoke, and even Sir Nigel smiled; while Agnes, blushing and confused, replied, half jestingly and half earnestly, "And why not tell me of it before, Alan? you must have seen it long ago."[Pg 11]
"And so I did, sweet sister mine; but I wished to see the effect of such marvellous abstraction, and whether, in case of necessity, an iron shield would serve our purpose as well as a jewelled diadem."
"Never fear, my boy. Let but the king stand forth, and there will be Scottish men enow and willing to convert an iron buckler into a goodly crown;" and as Sir Nigel spoke his eyes flashed, and his whole countenance irradiated with a spirit that might not have been suspected when in the act of reading, but which evidently only slept till awakened by an all-sufficient call. "Let the tyrant Edward exult in the possession of our country's crown and sceptre—he may find we need not them to make a king; aye, and a king to snatch the regal diadem from the proud usurper's brow—the Scottish sceptre from his blood-stained hands!"
"Thou talkest wildly, Nigel," answered the lad, sorrowfully, his features assuming an expression of judgment and feeling beyond his years. "Who is there in Scotland will do this thing? who will dare again the tyrant's rage? Is not this unhappy country divided within itself, and how may it resist the foreign foe?"
"Wallace! think of Wallace! Did he not well-nigh wrest our country from the tyrant's hands? And is there not one to follow in the path he trod—no noble heart to do what he hath done?"
"Nigel, yes. Let but the rightful king stand forth, and were there none other, I—even I, stripling as I am, with my good sword and single arm, even with the dark blood of Comyn
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