As We Are and As We May Be, Walter Besant [the reading strategies book TXT] 📗
- Author: Walter Besant
Book online «As We Are and As We May Be, Walter Besant [the reading strategies book TXT] 📗». Author Walter Besant
round among the schools in black silk stockings, with a kit under his arm, and could caper wonderfully. Woman could only teach dancing at the awful risk of showing her ankles. Who cares now whether a woman shows her ankles or not? It makes one think of Mr. Snodgrass and Mr. Winkle, and of the admiration which those sly dogs expressed for a neat pair of ankles. Man, again, taught drawing; man taught music; man taught singing; man taught writing; man taught arithmetic; man taught French and Italian; German was not taught at all. Indeed, had it not been for geography and the use of the globes, and the right handling of the blackboard, there would have been nothing at all left for the governess to teach. Forty years ago, however, she was great on the Church Catechism and a martinet as to the Sunday sermon.
It was not every girl, even then, who could teach. I remember one lady who in her young days had refused to teach on the ground that she would have to be hanged for child-murder if she tried. Those who did not teach, unless they married and became mistresses of their own _menage_, stayed at home until the parents died, and then went to live with a brother or a married sister. What family would be without the unmarried sister, the universal aunt? Sometimes, perhaps, she became a mere unpaid household servant, who could not give notice. But one would fain hope that these were rare cases.
Now, however, all is changed. The doors are thrown wide open. With a few exceptions--to be sure, the Church, the Law, and Engineering are important exceptions--a woman can enter upon any career she pleases. The average woman, specially trained, should do at any intellectual work nearly as well as the average man. The old prejudice against the work of women is practically extinct. Love of independence and the newly awakened impatience of the old shackles, in addition to the forces already mentioned, are everywhere driving girls to take up professional lives.
Not only are the doors of the old avenues thrown open: we have created new ways for the women who work. Literature offers a hundred paths, each one with stimulating examples of feminine success. There is journalism, into which women are only now beginning to enter by ones and twos. Before long they will sweep in with a flood. In medicine, which requires arduous study and great bodily strength, they do not enter in large numbers. Acting is a fashionable craze. Art covers as wide a field as literature. Education in girls' schools of the highest kind has passed into their own hands. Moreover, women can now do many things--and remain gentlewomen--which were formerly impossible. Some keep furniture shops, some are decorators, some are dressmakers, some make or sell embroidery.
In all these professions two things are wanting--natural aptitude and special training. Unfortunately, the competition is encumbered and crowded with those who have neither, or else both imperfectly, developed.
The present state of things is somewhat as follows: The world contains a great open market, where the demand for first-class work of every kind is practically inexhaustible. In literature everything really good commands instant attention, respect--and payment. But it must be really good. Publishers are always looking about for genius. Editors--even the much-abused editors--are always looking about for good and popular writers. But the world is critical. To become popular requires a combination of qualities, which include special training, education, and natural aptitude. Art, again, in every possible branch, offers recognition--and pay--for good work. But it must be really good. The world is even more critical in Art than in Literature. In the theatre, managers are always looking about for good plays, good actors, and good actresses. In scholarship, women who have taken university honours command good salaries and an honourable position if they can teach. In music, a really good composer, player, or singer, is always received with joy and the usual solid marks of approval. In this great open Market there is no favouritism possible, because the public, which is scornful of failure--making no allowance, and receiving no excuses--is also generous and quick to recognise success. In this Market clever women have exactly the same chances as clever men; their work commands the same price. George Eliot is as well paid as Thackeray; and the Market is full of the most splendid prizes both of praise and pudding. It is a most wonderful Market. In all other Markets the stalls are full of good things which the vendors are anxious to sell, but cannot. In this Market nothing is offered but it is snapped up greedily by the buyers; there are even, indeed, men who buy up the things before they reach the open Market. In other Markets the cry of those who stand at the stalls is 'Buy, buy, buy!' In this Market it is the buyers who cry out continually, 'Bring out more wares to sell.' Only to think of this Market, and of the thousands of gentlewomen outside, fills the heart with sadness.
For outside, there is quite another kind of Market. Here there are long lines of stalls behind which stand the gentlewomen eagerly offering their wares. Alas! here is Art in every shape, but it is not the art which we can buy. Here are painting and drawing; here are coloured photographs, painted china, art embroideries, and fine work. Here are offered original songs and original music. Here are standing long lines of those who want to teach, and are most melancholy because they have no degree or diploma, and know nothing. Here are standing those who wait to be hired, and who will do anything in which 'general intelligence' will show the way; lastly, there is a whole quarter at least a quarter--of the Market filled with stalls covered with manuscripts, and there are thousands of women offering these manuscripts. The publishers and the editors walk slowly along before the stalls and receive the manuscripts, which they look at and then lay down, though their writers weep and wail and wring their hands. Presently there comes along a man greatly resembling in the expression of his face the wild and savage wolf trying to smile. His habit is to take up a manuscript, and presently to express, with the aid of strange oaths and ejaculations, wonder and imagination. ''Fore Gad, madam!' he says, ''tis fine! 'Twill take the town by storm! 'Tis an immortal piece! Your own, madam? Truly 'tis wonderful! Nay, madam, but I must have it. 'Twill cost you for the printing of it a paltry sixty pounds or so, and for return, believe me, 'twill prove a new Potosi.' This is the confidence trick under another form. The unfortunate woman begs and borrows the money, of which she will never again see one farthing; and if her book be produced, no one will ever buy a copy.
The women at these stalls are always changing. They grow tired of waiting when no one will buy: they go away. A few may be traced. They become type-writers: they become cashiers in shops; they sit in the outer office of photographers and receive the visitors: they 'devil' for literary men: they make extracts: they conduct researches and look up authorities: they address envelopes; some, I suppose, go home again and contrive to live somehow with their relations. What becomes of the rest no man can tell. Only when men get together and talk of these things it is whispered that there is no family, however prosperous, but has its unsuccessful members--no House, however great, which has not its hangers-on and followers, like the _ribauderie_ of an army, helpless and penniless.
Considering, therefore, the miseries, drudgeries, insults, and humiliations which await the necessitous gentlewoman in her quest for work and a living, and the fact that these ladies are increasing in number, and likely to increase, I venture to call attention to certain preventive steps which may be applied--not for those who are now in this hell, but for those innocent children whose lot it may be to join the hapless band. The subject concerns all of us who have to work, all who have to provide for our families; it concerns every woman who has daughters: it concerns the girls themselves to such a degree that, if they knew or suspected the dangers before them they would cry aloud for prevention, they would rebel, they would strike the Fifth Commandment out of the Tables. So great, so terrible, are the dangers before them.
The absolute duty of teaching girls who may at some future time have to depend upon themselves some trade, calling or profession, seems a mere axiom, a thing which cannot be disputed or denied. Yet it has not even begun to be practised. If any thought is taken at all of this contingency, 'general intelligence' is still relied upon. There are, however, other ways of facing the future.
In France, as everybody knows, no girl born of respectable parents is unprovided with a _dot_; there is no family, however poor, which does not strive and save in order to find their daughter some kind of _dot_. If she has no _dot_, she remains unmarried. The amount of the _dot_ is determined by the social position of the parents. No marriage is arranged without the _dot_ forming an important part of the business. No bride goes empty-handed out of her father's house. And since families in France are much smaller than in this country, a much smaller proportion of girls go unmarried.
In this country no girls of the lower class, and few of the middle class, ever have any _dot_ at all. They go to their husbands empty-handed, unless, as sometimes happens, the father makes an allowance to the daughter. All they have is their expectation of what may come to them after the father's death, when there will be insurances and savings to be divided. The daughter who marries has no _dot_. The daughter who remains unmarried has no fortune until her father dies: very often she has none after that event.
In Germany, where the custom of the _dot_ is not, I believe, so prevalent, there are companies or societies founded for the express purpose of providing for unmarried women. They work, I am told, with a kind of tontine--it is, in fact, a lottery. On the birth of a girl the father inscribes her name on the books of the company, and pays a certain small sum every year on her account. At the age of twenty-five, if she is still unmarried, she receives the right of living rent free in two rooms, and becomes entitled to a certain small annuity. If she marries she has nothing. Those who marry, therefore, pay for those who do not marry. It is the same principle as with life insurances: those who live long pay for those who die young. If we assume, for instance, that four girls out of five marry, which seems a fair proportion, the fifth girl receives five times her own premium. Suppose that her father has paid L5 a year for her for twenty-one years, she would receive the amount, at compound interest, of L25 a year for twenty-one years--namely, about a thousand pounds.
Only consider what a thousand pounds may mean to a girl. It may be invested to produce L35 a year--that is to say, 13s. 6d. a week. Such an income, paltry as it seems, may be invaluable; it may supplement her scanty earnings: it may enable her to take a holiday: it may give her time to look about her: it may keep her out of the sweater's hands: it may help her to develop her powers and to step into the front rank. What gratitude would not the necessitous gentlewoman bestow
It was not every girl, even then, who could teach. I remember one lady who in her young days had refused to teach on the ground that she would have to be hanged for child-murder if she tried. Those who did not teach, unless they married and became mistresses of their own _menage_, stayed at home until the parents died, and then went to live with a brother or a married sister. What family would be without the unmarried sister, the universal aunt? Sometimes, perhaps, she became a mere unpaid household servant, who could not give notice. But one would fain hope that these were rare cases.
Now, however, all is changed. The doors are thrown wide open. With a few exceptions--to be sure, the Church, the Law, and Engineering are important exceptions--a woman can enter upon any career she pleases. The average woman, specially trained, should do at any intellectual work nearly as well as the average man. The old prejudice against the work of women is practically extinct. Love of independence and the newly awakened impatience of the old shackles, in addition to the forces already mentioned, are everywhere driving girls to take up professional lives.
Not only are the doors of the old avenues thrown open: we have created new ways for the women who work. Literature offers a hundred paths, each one with stimulating examples of feminine success. There is journalism, into which women are only now beginning to enter by ones and twos. Before long they will sweep in with a flood. In medicine, which requires arduous study and great bodily strength, they do not enter in large numbers. Acting is a fashionable craze. Art covers as wide a field as literature. Education in girls' schools of the highest kind has passed into their own hands. Moreover, women can now do many things--and remain gentlewomen--which were formerly impossible. Some keep furniture shops, some are decorators, some are dressmakers, some make or sell embroidery.
In all these professions two things are wanting--natural aptitude and special training. Unfortunately, the competition is encumbered and crowded with those who have neither, or else both imperfectly, developed.
The present state of things is somewhat as follows: The world contains a great open market, where the demand for first-class work of every kind is practically inexhaustible. In literature everything really good commands instant attention, respect--and payment. But it must be really good. Publishers are always looking about for genius. Editors--even the much-abused editors--are always looking about for good and popular writers. But the world is critical. To become popular requires a combination of qualities, which include special training, education, and natural aptitude. Art, again, in every possible branch, offers recognition--and pay--for good work. But it must be really good. The world is even more critical in Art than in Literature. In the theatre, managers are always looking about for good plays, good actors, and good actresses. In scholarship, women who have taken university honours command good salaries and an honourable position if they can teach. In music, a really good composer, player, or singer, is always received with joy and the usual solid marks of approval. In this great open Market there is no favouritism possible, because the public, which is scornful of failure--making no allowance, and receiving no excuses--is also generous and quick to recognise success. In this Market clever women have exactly the same chances as clever men; their work commands the same price. George Eliot is as well paid as Thackeray; and the Market is full of the most splendid prizes both of praise and pudding. It is a most wonderful Market. In all other Markets the stalls are full of good things which the vendors are anxious to sell, but cannot. In this Market nothing is offered but it is snapped up greedily by the buyers; there are even, indeed, men who buy up the things before they reach the open Market. In other Markets the cry of those who stand at the stalls is 'Buy, buy, buy!' In this Market it is the buyers who cry out continually, 'Bring out more wares to sell.' Only to think of this Market, and of the thousands of gentlewomen outside, fills the heart with sadness.
For outside, there is quite another kind of Market. Here there are long lines of stalls behind which stand the gentlewomen eagerly offering their wares. Alas! here is Art in every shape, but it is not the art which we can buy. Here are painting and drawing; here are coloured photographs, painted china, art embroideries, and fine work. Here are offered original songs and original music. Here are standing long lines of those who want to teach, and are most melancholy because they have no degree or diploma, and know nothing. Here are standing those who wait to be hired, and who will do anything in which 'general intelligence' will show the way; lastly, there is a whole quarter at least a quarter--of the Market filled with stalls covered with manuscripts, and there are thousands of women offering these manuscripts. The publishers and the editors walk slowly along before the stalls and receive the manuscripts, which they look at and then lay down, though their writers weep and wail and wring their hands. Presently there comes along a man greatly resembling in the expression of his face the wild and savage wolf trying to smile. His habit is to take up a manuscript, and presently to express, with the aid of strange oaths and ejaculations, wonder and imagination. ''Fore Gad, madam!' he says, ''tis fine! 'Twill take the town by storm! 'Tis an immortal piece! Your own, madam? Truly 'tis wonderful! Nay, madam, but I must have it. 'Twill cost you for the printing of it a paltry sixty pounds or so, and for return, believe me, 'twill prove a new Potosi.' This is the confidence trick under another form. The unfortunate woman begs and borrows the money, of which she will never again see one farthing; and if her book be produced, no one will ever buy a copy.
The women at these stalls are always changing. They grow tired of waiting when no one will buy: they go away. A few may be traced. They become type-writers: they become cashiers in shops; they sit in the outer office of photographers and receive the visitors: they 'devil' for literary men: they make extracts: they conduct researches and look up authorities: they address envelopes; some, I suppose, go home again and contrive to live somehow with their relations. What becomes of the rest no man can tell. Only when men get together and talk of these things it is whispered that there is no family, however prosperous, but has its unsuccessful members--no House, however great, which has not its hangers-on and followers, like the _ribauderie_ of an army, helpless and penniless.
Considering, therefore, the miseries, drudgeries, insults, and humiliations which await the necessitous gentlewoman in her quest for work and a living, and the fact that these ladies are increasing in number, and likely to increase, I venture to call attention to certain preventive steps which may be applied--not for those who are now in this hell, but for those innocent children whose lot it may be to join the hapless band. The subject concerns all of us who have to work, all who have to provide for our families; it concerns every woman who has daughters: it concerns the girls themselves to such a degree that, if they knew or suspected the dangers before them they would cry aloud for prevention, they would rebel, they would strike the Fifth Commandment out of the Tables. So great, so terrible, are the dangers before them.
The absolute duty of teaching girls who may at some future time have to depend upon themselves some trade, calling or profession, seems a mere axiom, a thing which cannot be disputed or denied. Yet it has not even begun to be practised. If any thought is taken at all of this contingency, 'general intelligence' is still relied upon. There are, however, other ways of facing the future.
In France, as everybody knows, no girl born of respectable parents is unprovided with a _dot_; there is no family, however poor, which does not strive and save in order to find their daughter some kind of _dot_. If she has no _dot_, she remains unmarried. The amount of the _dot_ is determined by the social position of the parents. No marriage is arranged without the _dot_ forming an important part of the business. No bride goes empty-handed out of her father's house. And since families in France are much smaller than in this country, a much smaller proportion of girls go unmarried.
In this country no girls of the lower class, and few of the middle class, ever have any _dot_ at all. They go to their husbands empty-handed, unless, as sometimes happens, the father makes an allowance to the daughter. All they have is their expectation of what may come to them after the father's death, when there will be insurances and savings to be divided. The daughter who marries has no _dot_. The daughter who remains unmarried has no fortune until her father dies: very often she has none after that event.
In Germany, where the custom of the _dot_ is not, I believe, so prevalent, there are companies or societies founded for the express purpose of providing for unmarried women. They work, I am told, with a kind of tontine--it is, in fact, a lottery. On the birth of a girl the father inscribes her name on the books of the company, and pays a certain small sum every year on her account. At the age of twenty-five, if she is still unmarried, she receives the right of living rent free in two rooms, and becomes entitled to a certain small annuity. If she marries she has nothing. Those who marry, therefore, pay for those who do not marry. It is the same principle as with life insurances: those who live long pay for those who die young. If we assume, for instance, that four girls out of five marry, which seems a fair proportion, the fifth girl receives five times her own premium. Suppose that her father has paid L5 a year for her for twenty-one years, she would receive the amount, at compound interest, of L25 a year for twenty-one years--namely, about a thousand pounds.
Only consider what a thousand pounds may mean to a girl. It may be invested to produce L35 a year--that is to say, 13s. 6d. a week. Such an income, paltry as it seems, may be invaluable; it may supplement her scanty earnings: it may enable her to take a holiday: it may give her time to look about her: it may keep her out of the sweater's hands: it may help her to develop her powers and to step into the front rank. What gratitude would not the necessitous gentlewoman bestow
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