Satan’s Diary, Leonid Andreyev [the beginning after the end read novel .TXT] 📗

streets, but it was worse there: everywhere I saw men and women, men and women. As if I had never seen them before! They all appeared naked to me. I stood long at Monte-Picio and tried to grasp what a sunset was but could not: before me there passed by in endless procession those men and women, gazing into each other’s eyes. Tell me⁠—what is Woman? I saw one⁠—very beautiful⁠—in an automobile. The sunset threw a rosy glow upon her pale face and in her ears there glistened two diamond sparks. She gazed upon the sunset and the sunset gazed on her, but I could not endure it: sorrow and love gripped my heart, as if I were dying. There behind her were trees, green, almost black.

Maria! Maria!

April 19, Isle of Capri.

Perfect calm reigned upon the sea. From a high precipice I gazed long upon a little schooner, motionless in the blue expanse. Its white sails were rigidly still and it seemed as happy as on that memorable day. And, again, great calm descended upon me, while the holy name of Maria resounded purely and peacefully, like the Sabbath bells on the distant shore.

There I lay upon the grass, my face toward the sky. The good earth warmed my back, while my eyes were pierced with warm light, as if I had thrust my face into the sun. Not more than three paces away there lay an abyss, a steep precipice, a dizzying wall, and it was delightful to imbibe the odor of grass and the Spring flowers of Capri. There was also the odor of Toppi, who was lying beside me: when he is heated by the sun he emits the smell of fur. He was all sunburned, just as if he had been smeared with coal. In general, he is a very amiable old Devil.

The place where we lay is called Anacapri and constitutes the elevated part of the island. The sun had already set when we began our trip downward and a half moon had risen in the sky. But there was the same quiet and warmth and from somewhere came the strains of mandolins in love, calling to Maria. Maria everywhere! But my love breathed with great calm, bathed in the pure moonlight rays, like the little white houses below. In such a house, at one time, did Maria live, and into just such a house I will take her in about four days.

A high wall along which the road ran, concealed the moon from us and here we beheld the statue of an old Madonna, standing in a niche, high above the road and the surrounding bushes. Before her burned with a weak flame the light of an image-lamp, and she seemed so alive in her watchful silence that my heart grew cold with sweet terror. Toppi bowed his head and mumbled a prayer, while I removed my hat and thought:

How high above this earthly vessel, filled with moonlit twilight and mysterious charms, you stand. Thus does Maria stand above my soul.⁠ ⁠…

Enough! Here again the extraordinary begins and I must pause. We shall soon drink some champagne and then we shall go to the café. I understand they expect some mandolin players from Naples there today. Toppi would rather be shot than follow me: his conscience troubles him to this day. But it is good that I will be alone.

April 23⁠—Rome,
Palazzo Orsini.

… Night. My palace is dead and silent, as if it were one of the ruins of ancient Rome. Beyond the large window lies the garden: it is transparent and white with the rays of the moon and the vaporous pole of the fountain resembles a headless vision in a silver veil. Its splash is scarcely heard through the thick windowpane⁠—as if it were the sleepy mumbling of the night guard.

Yes, this is all beautiful and⁠ ⁠… how do you put it?⁠—it breathes with love. Of course, it would be good to walk beside Maria over the blue sand of the garden path and to trample upon her shadow. But I am disturbed and my disquiet is wider than love. In my attempts to walk lightly I wander about the room, lean against the wall, recline in silence in the corners, and all the time I seem to hear something. Something far away, a thousand kilometers from here. Or is this all lodged in my memory⁠—that which I strain my ear to catch? And the thousand kilometers⁠—are they the thousand years of my life?

You would be astonished if you saw how I was dressed. My fine American costume had suddenly become unbearably heavy, so I put on my bathing suit. This made me appear thin, tall and wiry. I tried to test my nimbleness by crawling about the floor, suddenly changing the direction, like a noiseless bat. But it is not I who am restless. It is my muscles that are filled with this unrest, and I know not what they want. Then I began to feel cold. I dressed and sat down to write. I drank some wine and drew down the curtains to shut the white garden from my eyes. Then I examined and fixed my Browning. I intend to take it with me tomorrow for a friendly chat with Magnus.

You see, Thomas Magnus has some collaborators. That is what he calls those gentlemen unknown to me who respectfully get out of my way when we meet, but never greet me, as if we were meeting in the street and not in my house. There were two of them when I went to Capri. Now they are six, according to what Toppi tells me, and they live here. Toppi does not like them. Neither do I. They seem to have no faces. I could not see them. I happened to think of that just now when I tried to recall them.

“These are my assistants,” Magnus told me today without trying in the least to conceal his ridicule.

“Well,