Mrs. Piper & the Society for Psychical Research, Michael Sage [interesting books to read for teens .TXT] 📗

his second wife, George Pelham's step-mother, visited Mrs Piper at once. They were introduced under false names. Quite at the beginning of the sitting George Pelham wrote, "Hullo, father and mother, I am George!" The communications which followed were altogether what Mr Pelham, senior, would have expected from his living son.

At one of the earliest sittings he asks after one of his friends, a young writer, and urges that he should edit one of his, George Pelham's, unpublished papers.

While George Pelham was living in Boston he was connected by bonds of strong affection with the Howard family. He lived with them often and for long periods. He and James Howard often discussed serious philosophical problems together. At the first sitting George Pelham insistently asked for the Howards.[56] "Tell Jim I want to see him. He will hardly believe me, believe that I am here. I want him to know where I am. O good fellow!" He welcomes Mr and Mrs Howard in a characteristic way: "Jim, is that you? Speak to me, quick. I am not dead. Don't think me dead. I'm awfully glad to see you. Can't you see me? Don't you hear me? Give my love to my father, and tell him I want to see him. I am happy here, and more so since I find I can communicate with you. I pity those people who can't speak."

A Mr Vance has a sitting. George Pelham had known him. At first the communicator does not appear to notice him, being occupied in giving messages to Dr Hodgson. But presently George Pelham recognises him, and says, "How is your son? I want to see him some time." "George, where did you know my son?" "In studies in college." "George, where did you stay with us?" "Country, peculiar house, trees around, porch that projects at the front. Vine at the side. Porch at the front, and swing on the other side." All this was correct.[57]

Miss Helen Vance and George Pelham had belonged at the same time to a society formed for mutual aid in the art of writing. She came to a sitting some time after it had begun. Mrs Piper, in her normal state, had never met her. Nevertheless, George Pelham asks her at once, "How is the society getting on?" A little later on, the following dialogue takes place between Miss Vance and George Pelham: "Now, whom do you have to correct your writings?" "We correct one another's." "But do they give satisfaction?" "Yes." "What, in their corrections?" "Yes, but not as much as you; your corrections were better than theirs." "Well, that is what I am trying to get out of you." "In other words, George, you wanted a compliment from me." "Oh, bosh, you know me better than that."

Miss Warner had two sittings with Mrs Piper[58] five years after George Pelham's death. He had known her when she was quite a child, but he had not seen her for three years before he died, and in eight years a child becomes a tall young girl. Consequently, at the first sitting, George Pelham did not recognise Miss Warner at all. At the second sitting he admitted this and said, "I do not think I ever knew you very well." "Very little. You used to come and see my mother." "I heard of you, I suppose." "I saw you several times. You used to come with Mr Rogers." "Yes, I remembered about Mr Rogers when I saw you before." "Yes, you spoke of him." "Yes, but I cannot seem to place you. I long to place all my friends, and could do so before I had been gone so long. You see, I am farther away - every day I get further away from you. I do not recall your face; you must have changed." At this moment Dr Hodgson said, "Do you remember Mrs Warner?" "Of course, oh, very well. For pity's sake, are you her little daughter?" "Yes." "By Jove! how you have grown! I thought so much of your mother, a charming woman."

George Pelham not only recognises his friends,[59] as we have just seen; he also remembers their opinions, their occupations, their habits. James Howard is an author. He asks him, "Why don't you write on this subject?" (the future life). Rogers writes also. He asks, "What is Rogers writing now?" "A novel." "I don't mean that. Isn't he writing something about me?" "Yes, he is preparing a memoir of you." "That is kind of him. One is pleased not to be forgotten. He was always very good to me when I was alive."

He remembers the opinions of his father, and the discussions they had upon philosophical questions. "I should like to convince my father," he says; "but it will be hard. My mother will be easier." He says to James Howard, "Do you remember how we used to ask each other for books of certain kinds, about certain books, where they were, and you always knew just where to find them." Formerly, when James Howard and George Pelham were talking together in the evening, the first-named habitually smoked a long pipe. At a sitting held in the library where these conversations used to take place, George Pelham said to Mr Howard, "Get the long pipe and smoke." Katharine is one of James Howard's daughters, who plays the violin. Formerly her practising used to greatly annoy George Pelham, who lived with the Howards. He said to her at a sitting, "Katharine, how is the violin? To hear you playing is horrible, horrible." Mrs Howard replies, "Yes, George, but don't you see she likes her music because it is the best she has." "No, but that is what I used to say."

"Marte" is a pseudonym adopted by Dr Hodgson to designate a well-known American writer. He is a monist, a partisan of Darwinism, convinced that the death of the body is for us the end of all. At a sitting George Pelham said to him, "Evolution is all right in the real life, as Darwin says, but it goes on evoluting in the ideal life, which fact he, of course, knew nothing of until he came here."

George Pelham also recognises objects which have belonged to him, principally those which have some remembered emotional association.

John Hart, at the first sitting at which George Pelham appeared, gave some sleeve-links he was wearing, and asked, "Who gave them to me?" "That's mine. I sent that to you." "When?" "Before I came here. That's mine. Mother gave you that." "No!" "Well, father then, father and mother together. You got those after I passed out. Mother took them, gave them to father, and father gave them to you. I want you to keep them. I will them to you." All this is correct.

At another sitting Mrs Howard gives a photograph. She placed it on the top of the medium's head. "Do you recognise this?" "Yes, it is your summer house; but I have forgotten the name of the town." "Don't you remember D.?" "Oh, the little brick house and the vine, grape-vine some call it. Yes, I remember it all; it comes back as distinctly as the daylight. Where is the little outhouse?" All this is correct. The outhouse which George Pelham was surprised not to see was a henhouse left just out of the photograph. At another sitting Mrs Howard put a book on the medium's head. We must not forget that the medium's eyes are shut, and the ocular globes upturned. "Do you recognise this book?" "Oh, yes, it is my French Lyrics." Needless to add that this was correct. George Pelham asks for information on the subjects which interested him in life. He asks to have things done for him. At the first sitting he said to the sitter, John Hart, "Go up to my room, where I write. I left things all mixed up. I wish you'd go up and straighten them out for me. Lots of names, lots of letters. You answer them for me."

Evelyn is another of Mr. Howard's daughters. George Pelham had given her a book, and had written her name in it. He asks her if she remembers it.

He has not forgotten his former speeches either. He was fond of Evelyn, but this did not prevent his constantly teasing her. Thus she is weak in mathematics. At one sitting George Pelham says to her, "I won't tantalise Evelyn now; I used to torment her a great deal, but she will forgive me, I know." Which does not prevent his adding directly after, "Evelyn is a girl that can always tell how much two and two is. You have just learned, haven't you? You are not a great one for mathematics, are you?" But he adds quickly, "Now be good, Evelyn. It doesn't matter so much about your lessons; being good is the most important point of all."

James Howard had asked George Pelham several questions to which the latter had not replied, asserting that he had forgotten. On this account James Howard still doubted George Pelham's identity. One day the former said, "George, tell me something that you and I alone know. I ask you, because several things I have asked you you have failed to get hold of. We spent a great many summers and winters together and talked on a great many things and had a great many views in common, went through a great many experiences together. Tell me something now that you remember." The hand at once began to write eagerly: the occurrences related were so private that they cannot be published. At a given moment the hand wrote "Private." Dr Hodgson then left the room. On his return James Howard told him that he had obtained all the proof he could desire, and that he was "perfectly satisfied, perfectly."

At the first sitting at which George Pelham appeared, when John Hart was the sitter, George spoke suddenly of Katharine, James Howard's daughter, and he said something which at the time had no meaning for John Hart. "Tell her, she'll know. I will solve the problems, Katharine." When John Hart reported these words to the Howards they were more struck than by anything else. During George Pelham's last stay with them he had talked frequently with Katharine upon deep philosophical questions, such as Time, Space, Eternity, and had pointed out to her how unsatisfactory the commonly-accepted solutions were. Then he had added the words of the communication almost textually, "I will solve those problems some day, Katharine." Remark that at this time the Howards had never yet seen Mrs Piper, that John Hart knew absolutely nothing of these conversations, and that Dr Hodgson, who took notes at the sitting, did not at the time know the Howards or of the conversations.

George Pelham had received a good classical education. He was a Humanist. Consequently a rather large number of Latin expressions are found in his language; usual, no doubt, with people of his education, but with which Mrs Piper is not acquainted in her normal state. Phinuit, who cannot have been a good Latinist, does not employ them either. Observation of this fact inspired Professor Newbold[60] with the idea of asking George Pelham to translate a short fragment of Greek, and he proposed the first words which occurred to him; the beginning of the Paternoster: [Greek: Pater hêmôn ho en tois ouranois]. George Pelham made some attempts, and finally translated "Our Father is in heaven." Professor Newbold then proposed a longer phrase, which he composed himself on the spot for the occasion: [Greek: Ouk esti thanatos; hai gar tôn thnêtôn psychai zôên zôsin athanaton, aidion, makarion]. This means, "There is no death; the souls of mortals really live an immortal eternal happy life." George Pelham called to his aid Stainton