Due North or Glimpses of Scandinavia and Russia, Maturin Murray Ballou [the gingerbread man read aloud TXT] 📗
- Author: Maturin Murray Ballou
Book online «Due North or Glimpses of Scandinavia and Russia, Maturin Murray Ballou [the gingerbread man read aloud TXT] 📗». Author Maturin Murray Ballou
some of the principal thoroughfares. Like the Manzanares at Madrid or the Arno at Florence, the Moskva is not a deep river, though its channel conveys ten times the amount of water that flows in those just named. It winds ribbon-like in and about the city, adding greatly to its picturesqueness as seen from an elevation. True, this city is in a central position as regards the length and breadth of Russia, but that is about all one can say in favor of the location. St. Petersburg reclaimed from the Finland swamps has the commerce of the world at its door, and therein presents a _raison d'etre_, which almost excuses the labor and loss of life and treasure which it cost.
Moscow is to the Russian what Mecca is to the pious Moslem, and he calls it by the endearing name of "Mother." Like Kief and the Troitzkoi, it is the object of pious pilgrimage to thousands annually, who come from long distances and always on foot. The ludicrously illustrated signs are as numerous here as they are in the capital, often running into caricature. For instance, a fruit-dealer puts out a gaudily-painted scene representing a basket of fruit and its carrier coming to grief, the basket and contents falling from the carrier's head and the fruit flying in all directions. A milk-shop exhibited a crude sign depicting a struggle between a hungry calf and a dairy-maid as to which should obtain the lacteal deposit from the cow. These signs answer their purpose, and speak a mute language intelligible to the Russian multitude. The city is said to have once contained "forty times forty churches and chapels," but it has not so many to-day, though there must be between six and eight hundred. The ambassadors of Holstein said in 1633 that there were two thousand churches and chapels in the capital. The Kremlin which crowns a hill is the central point of the city, and is enclosed by high walls, battlement rising upon battlement, flanked by massive towers. The name is Tartar, and signifies a fortress. As such it is unequalled for its vastness, its historical associations, and the wealth of its sanctuaries. It was founded six or seven hundred years ago, and is an enclosure studded with cathedrals covering broad streets and spacious squares. That of Krasnoi exhibits a bronze monument in its centre erected in honor of Minimi and Tojarsky, two Muscovite patriots. The Kremlin is a citadel and a city within itself, being the same to Moscow that the Acropolis was to Athens. The buildings are a strange conglomerate of architecture, including Tartarian, Hindu, Chinese, and Gothic, exhibited in cathedrals, chapels, towers, convents, and palaces. We did not count them, but were told that there were thirty-two churches within the walls. The cathedral of the Assumption is perhaps the most noteworthy, teeming as it does with historic interest, and being filled with tombs and pictures from its dark agate floor to the vast cupola. Here, from the time of Ivan the Great to that of the present Emperor, the Tzars have all been crowned; and here Peter placed the royal insignia upon the head of his second wife, the Livonian peasant-girl. One picture of the Virgin in this church is surrounded by diamonds and other precious stones which are valued at half a million of dollars. It is to be presumed that on the occasion of an Emperor's coronation, or that of some great religious festival, the squares, streets, and areas generally of the Kremlin become crowded with ecclesiastics, citizens, strangers, soldiers, and courtiers in gala array; but it seemed a little dreary and lonely to us amid all its antiquity and mildewed splendor. Silence reigned supreme, save for the steady tread of the sentinels; all was loneliness, but for the presence of the sight-seer and his guide. However busy the city close at hand, commerce and trade do not enter within the walls of the Kremlin. One's thoughts were busy enough, over-stimulated in fact, while strolling through the apartments of the Imperial Palace. In imagination, these low-studded apartments, secret divans and closets became repeopled by their former tenants. It was remembered that even to the days of Peter the Great Oriental seclusion was the fate of empresses and princesses, upon whom the highest state officials might not dare to look,--whose faces in short were always hidden. But scandal says that thus unnaturally secluded, their woman wit taught them ways of compensation; for in spite of guards and bolts, they received at times visits from their secret lovers, the great risk encountered but adding zest to such clandestine achievements. To be sure, as a penalty a head was now and then severed from the owner's body, and some gay Lothario was knouted and sent off to Siberia to work out his life in the mines; but that did not change human nature, to which royalty is as amenable as the rest of creation. The grand Palace as it now stands was built by the Emperor Nicholas, or rather it was repaired and enlarged by him, embracing all the ancient portions as originally designed, but the rest of the structure so extended as to afford suites of royal state apartments which are unsurpassed by any palace in the world, either in spaciousness, magnificence of finish or furniture. The Throne Room is beyond comparison the most superb apartment of its character which the author has ever seen. Magnificent as the interior is, the external architectural effect of the Palace is in such decided contrast with that of the surrounding churches, monasteries, towers, and sacred gates as to create a singular incongruity.
The venerable, crenellated walls of the Kremlin, which measure about two miles in circumference, forming nearly a triangle, are pierced by five gates of an imposing character, to each of which is attributed a religious or historical importance. Often have invading hosts battered at these gates, and sometimes gained an entrance; but strange to say, they have always in the end been worsted by the faithful Muscovites. Over the Redeemer's Gate, so called, is affixed a wonder-working picture of the Saviour, which is an object of great and universal veneration. No one, not even the Emperor, passes beneath it without removing his hat and bowing the head. A miracle is supposed to have been wrought in connection with this picture of the Redeemer at the time when the retreating French made a vain attempt to blow up the buildings of the Kremlin; hence the special honor accorded to it. The gate itself was erected in 1491, and is like the main tower of a large cathedral or an isolated campanile. It is painted red, with green spires, and flanked on the sides by small chapels. The National Armory, also within the walls, is of great interest, quite unsurpassed in its collection of Oriental arms, but those of all nations are also well represented. It will be remembered that Moscow was in the olden time as celebrated for the excellence of its steel weapons, and especially for the temper of its sword blades, as were Toledo and Damascus. In the grand courtyard of the Kremlin, near that pillar-like structure the Tower of Ivan, hundreds of Napoleon's captured cannon lay idly on the earth, recalling the tragic story of the French invasion; but then it was remembered that the French have also at Paris their Column of Vendome, the encircling bas-reliefs of which contain the metal of many captured Russian cannon. So while scores of battle-torn Muscovite flags hang aloft in the church of the Invalides at the French capital, the tri-color also decks the walls of Peter and Paul in the fortifications of St. Petersburg,--toys in "that mad game the world so loves to play," but, alas! what do they represent but condensed drops of blood?
Opposite the Arsenal stands the Senate House of Moscow, the High Court of Appeals, built by Catherine II. The main hall is of great capacity and magnificence; the whole building underwent complete restoration in 1866. The summit of the Tower of Ivan the Great, erected in 1600, affords a widespread view of the city in every direction; and perhaps it may be said to be the best that can be obtained. It is one of the most conspicuous structures in the Kremlin, standing partially by itself, and is seen from a long distance as one approaches by rail. The tower consists of five stories, and is three hundred and twenty-five feet in height. The basement and three stories above it are octagonal, the last cylindrical, the whole embracing a wild confusion of design. Half-way up is a gallery from whence the former sovereigns used to harangue the people. The lower story is a chapel dedicated to Saint John, while the other stories contain many bells, the heaviest of which, we were told, weighed over sixty tons. In the upper portion there is a chime of silver bells which daily ring forth the national anthem at meridian. The racket and din produced when _all_ the bells in the tower are rung together, as they are on Easter eve, must be deafening.
The famous King of Bells of which we have all heard so much, and which according to the records was tolled at the birth of Peter the Great, stands near the foot of the Tower of Ivan. It is broken, but weighs in its present condition nearly four hundred and fifty thousand pounds. The piece broken from its side, which is seen close at hand, weighs eleven tons. The height of the bell is twenty-one feet. When it was cast in 1730, by order of the Empress Anne, the gold, silver, and copper consumed in the operation weighed ninety-one hundred and twenty tons, valued at the royal sum of half a million dollars. History tells us that the casting took place with religious ceremonies, and royal ladies vied with one another in throwing their golden ornaments into the great caldron which supplied the molten metal. Doubtless this very generosity of contribution only served to impart brittleness to the bell. As to improving the purity of tone, modern experience shows that foreign metals, however pure in themselves, would detract from that. After the great bell fell from the supporting-tower,--which was destroyed by fire, and which is supposed to have stood very nearly over the spot where the bell now rests,--it lay buried in the earth for over a hundred years, until it was dug up and placed on its present foundation by order of the late Emperor Nicholas I. As we stood there beside the monster bell, a shudder passed over us sufficiently visible to attract the observation of the guide. "Is monsieur cold?" he asked. "No, it was only a passing thought that moved us," was the reply. "Ah! something of far-off America?" he suggested. "Nearer than that," was the response. "It was the recollection of that terrible fifty-three thousand pounds of bell-metal which swings in the cupola of St. Isaac's. If that comparatively baby-bell could make one so thoroughly uncomfortable, what might not this giant do under similar circumstances!" It is doubtful, however, if the guide clearly understood to what the author referred.
The most strikingly fantastic and remarkable structure architecturally in all Moscow is the Cathedral of St. Basil, which is absolutely top-heavy with spires, domes, and minarets, ornamented in the most irregular and unprecedented manner. Yet as a whole the structure is not inharmonious with its unique surroundings, the semi-Oriental, semi-barbaric atmosphere in which it stands. It is not within the walls of the Kremlin, but is located just outside and near the Redeemer's Gate, from which point the best view of it may be enjoyed. No two of its towering projections are alike, either in height, shape, or ornamentation. The coloring throughout is as various as the shape, being in yellow, green, blue, golden-gilt, and silver. Each spire and dome has its glittering cross;
Moscow is to the Russian what Mecca is to the pious Moslem, and he calls it by the endearing name of "Mother." Like Kief and the Troitzkoi, it is the object of pious pilgrimage to thousands annually, who come from long distances and always on foot. The ludicrously illustrated signs are as numerous here as they are in the capital, often running into caricature. For instance, a fruit-dealer puts out a gaudily-painted scene representing a basket of fruit and its carrier coming to grief, the basket and contents falling from the carrier's head and the fruit flying in all directions. A milk-shop exhibited a crude sign depicting a struggle between a hungry calf and a dairy-maid as to which should obtain the lacteal deposit from the cow. These signs answer their purpose, and speak a mute language intelligible to the Russian multitude. The city is said to have once contained "forty times forty churches and chapels," but it has not so many to-day, though there must be between six and eight hundred. The ambassadors of Holstein said in 1633 that there were two thousand churches and chapels in the capital. The Kremlin which crowns a hill is the central point of the city, and is enclosed by high walls, battlement rising upon battlement, flanked by massive towers. The name is Tartar, and signifies a fortress. As such it is unequalled for its vastness, its historical associations, and the wealth of its sanctuaries. It was founded six or seven hundred years ago, and is an enclosure studded with cathedrals covering broad streets and spacious squares. That of Krasnoi exhibits a bronze monument in its centre erected in honor of Minimi and Tojarsky, two Muscovite patriots. The Kremlin is a citadel and a city within itself, being the same to Moscow that the Acropolis was to Athens. The buildings are a strange conglomerate of architecture, including Tartarian, Hindu, Chinese, and Gothic, exhibited in cathedrals, chapels, towers, convents, and palaces. We did not count them, but were told that there were thirty-two churches within the walls. The cathedral of the Assumption is perhaps the most noteworthy, teeming as it does with historic interest, and being filled with tombs and pictures from its dark agate floor to the vast cupola. Here, from the time of Ivan the Great to that of the present Emperor, the Tzars have all been crowned; and here Peter placed the royal insignia upon the head of his second wife, the Livonian peasant-girl. One picture of the Virgin in this church is surrounded by diamonds and other precious stones which are valued at half a million of dollars. It is to be presumed that on the occasion of an Emperor's coronation, or that of some great religious festival, the squares, streets, and areas generally of the Kremlin become crowded with ecclesiastics, citizens, strangers, soldiers, and courtiers in gala array; but it seemed a little dreary and lonely to us amid all its antiquity and mildewed splendor. Silence reigned supreme, save for the steady tread of the sentinels; all was loneliness, but for the presence of the sight-seer and his guide. However busy the city close at hand, commerce and trade do not enter within the walls of the Kremlin. One's thoughts were busy enough, over-stimulated in fact, while strolling through the apartments of the Imperial Palace. In imagination, these low-studded apartments, secret divans and closets became repeopled by their former tenants. It was remembered that even to the days of Peter the Great Oriental seclusion was the fate of empresses and princesses, upon whom the highest state officials might not dare to look,--whose faces in short were always hidden. But scandal says that thus unnaturally secluded, their woman wit taught them ways of compensation; for in spite of guards and bolts, they received at times visits from their secret lovers, the great risk encountered but adding zest to such clandestine achievements. To be sure, as a penalty a head was now and then severed from the owner's body, and some gay Lothario was knouted and sent off to Siberia to work out his life in the mines; but that did not change human nature, to which royalty is as amenable as the rest of creation. The grand Palace as it now stands was built by the Emperor Nicholas, or rather it was repaired and enlarged by him, embracing all the ancient portions as originally designed, but the rest of the structure so extended as to afford suites of royal state apartments which are unsurpassed by any palace in the world, either in spaciousness, magnificence of finish or furniture. The Throne Room is beyond comparison the most superb apartment of its character which the author has ever seen. Magnificent as the interior is, the external architectural effect of the Palace is in such decided contrast with that of the surrounding churches, monasteries, towers, and sacred gates as to create a singular incongruity.
The venerable, crenellated walls of the Kremlin, which measure about two miles in circumference, forming nearly a triangle, are pierced by five gates of an imposing character, to each of which is attributed a religious or historical importance. Often have invading hosts battered at these gates, and sometimes gained an entrance; but strange to say, they have always in the end been worsted by the faithful Muscovites. Over the Redeemer's Gate, so called, is affixed a wonder-working picture of the Saviour, which is an object of great and universal veneration. No one, not even the Emperor, passes beneath it without removing his hat and bowing the head. A miracle is supposed to have been wrought in connection with this picture of the Redeemer at the time when the retreating French made a vain attempt to blow up the buildings of the Kremlin; hence the special honor accorded to it. The gate itself was erected in 1491, and is like the main tower of a large cathedral or an isolated campanile. It is painted red, with green spires, and flanked on the sides by small chapels. The National Armory, also within the walls, is of great interest, quite unsurpassed in its collection of Oriental arms, but those of all nations are also well represented. It will be remembered that Moscow was in the olden time as celebrated for the excellence of its steel weapons, and especially for the temper of its sword blades, as were Toledo and Damascus. In the grand courtyard of the Kremlin, near that pillar-like structure the Tower of Ivan, hundreds of Napoleon's captured cannon lay idly on the earth, recalling the tragic story of the French invasion; but then it was remembered that the French have also at Paris their Column of Vendome, the encircling bas-reliefs of which contain the metal of many captured Russian cannon. So while scores of battle-torn Muscovite flags hang aloft in the church of the Invalides at the French capital, the tri-color also decks the walls of Peter and Paul in the fortifications of St. Petersburg,--toys in "that mad game the world so loves to play," but, alas! what do they represent but condensed drops of blood?
Opposite the Arsenal stands the Senate House of Moscow, the High Court of Appeals, built by Catherine II. The main hall is of great capacity and magnificence; the whole building underwent complete restoration in 1866. The summit of the Tower of Ivan the Great, erected in 1600, affords a widespread view of the city in every direction; and perhaps it may be said to be the best that can be obtained. It is one of the most conspicuous structures in the Kremlin, standing partially by itself, and is seen from a long distance as one approaches by rail. The tower consists of five stories, and is three hundred and twenty-five feet in height. The basement and three stories above it are octagonal, the last cylindrical, the whole embracing a wild confusion of design. Half-way up is a gallery from whence the former sovereigns used to harangue the people. The lower story is a chapel dedicated to Saint John, while the other stories contain many bells, the heaviest of which, we were told, weighed over sixty tons. In the upper portion there is a chime of silver bells which daily ring forth the national anthem at meridian. The racket and din produced when _all_ the bells in the tower are rung together, as they are on Easter eve, must be deafening.
The famous King of Bells of which we have all heard so much, and which according to the records was tolled at the birth of Peter the Great, stands near the foot of the Tower of Ivan. It is broken, but weighs in its present condition nearly four hundred and fifty thousand pounds. The piece broken from its side, which is seen close at hand, weighs eleven tons. The height of the bell is twenty-one feet. When it was cast in 1730, by order of the Empress Anne, the gold, silver, and copper consumed in the operation weighed ninety-one hundred and twenty tons, valued at the royal sum of half a million dollars. History tells us that the casting took place with religious ceremonies, and royal ladies vied with one another in throwing their golden ornaments into the great caldron which supplied the molten metal. Doubtless this very generosity of contribution only served to impart brittleness to the bell. As to improving the purity of tone, modern experience shows that foreign metals, however pure in themselves, would detract from that. After the great bell fell from the supporting-tower,--which was destroyed by fire, and which is supposed to have stood very nearly over the spot where the bell now rests,--it lay buried in the earth for over a hundred years, until it was dug up and placed on its present foundation by order of the late Emperor Nicholas I. As we stood there beside the monster bell, a shudder passed over us sufficiently visible to attract the observation of the guide. "Is monsieur cold?" he asked. "No, it was only a passing thought that moved us," was the reply. "Ah! something of far-off America?" he suggested. "Nearer than that," was the response. "It was the recollection of that terrible fifty-three thousand pounds of bell-metal which swings in the cupola of St. Isaac's. If that comparatively baby-bell could make one so thoroughly uncomfortable, what might not this giant do under similar circumstances!" It is doubtful, however, if the guide clearly understood to what the author referred.
The most strikingly fantastic and remarkable structure architecturally in all Moscow is the Cathedral of St. Basil, which is absolutely top-heavy with spires, domes, and minarets, ornamented in the most irregular and unprecedented manner. Yet as a whole the structure is not inharmonious with its unique surroundings, the semi-Oriental, semi-barbaric atmosphere in which it stands. It is not within the walls of the Kremlin, but is located just outside and near the Redeemer's Gate, from which point the best view of it may be enjoyed. No two of its towering projections are alike, either in height, shape, or ornamentation. The coloring throughout is as various as the shape, being in yellow, green, blue, golden-gilt, and silver. Each spire and dome has its glittering cross;
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