Your United States, Arnold Bennett [ebook reader browser .TXT] 📗

and cloudy confusion of novel sensations.

What primarily differentiates Boston from all the other cities I saw is this: It is finished; I mean complete. Of the other cities, while admitting their actual achievement, one would say, and their own citizens invariably do say, "They will be ..." Boston is.

Another leading impression, which remains with me, is that Boston is not so English as it perhaps imagines itself to be. An interviewer (among many) came to see me about Boston, and he came with the fixed and sole notion in his head that Boston was English. He would have it that Boston was English. Worn down by his persistency, I did, as a fact, admit in one obscure corner of the interview that Boston had certain English characteristics. The scare-head editor of the interviewing paper, looking through his man's copy for suitable prey, came across my admission. It was just what he wanted; it was what he was thirsting for. In an instant the scare-head was created: "Boston as English as a muffin!" An ideal scare-head! That I had never used the word "muffin" or any such phrase was a detail exquisitely unimportant. The scare-head was immense. It traveled in fine large type across the continent. I met it for weeks afterward in my press-cuttings, and I doubt if Boston was altogether delighted with the comparison. I will not deny that Boston is less strikingly un-English than sundry other cities. I will not deny that I met men in Boston of a somewhat pronounced English type. I will not deny that in certain respects old Kensington reminds me of a street here and there in Boston--such as Mount Vernon Street or Chestnut Street. But I do maintain that the Englishness of Boston has been seriously exaggerated.

And still another very striking memory of Boston--indeed, perhaps, the paramount impression!--is that it contains the loveliest modern thing I saw in America--namely, the Puvis de Chavannes wall-paintings on the grand staircase of the Public Library. The Library itself is a beautiful building, but it holds something more beautiful. Never shall I forget my agitation on beholding these unsurpassed works of art, which alone would suffice to make Boston a place of pilgrimage.

When afterward I went back to Paris, the painters' first question was: "_Et les Puvis a Boston--vous les avez vus? Qu'est-ce que vous en dites?_"

It was very un-English on the part of Boston to commission these austere and classical works. England would never have done it. The nationality of the greatest decorative painter of modern times would have offended her sense of fitness. What--a French painter officially employed on an English public building? Unthinkable! England would have insisted on an English painter--or, at worst, an American. It is strange that a community which had the wit to honor itself by employing Puvis de Chavannes should be equally enthusiastic about the frigid theatricalities of an E.A. Abbey or the forbidding and opaque intricate dexterity of a John Sargent in the same building. Or, rather, it is not strange, for these contradictions are discoverable everywhere in the patronage of the arts.

It was from the Public Library that some friends and I set out on a little tour of Boston. Whether we went north, south, east, or west I cannot tell, for this was one of the few occasions when the extreme variousness of a city has deprived me definitely of a sense of direction; but I know that we drove many miles through magnificent fenny parks, whose roads were reserved to pleasure, and that at length, after glimpsing famous houses and much of the less centralized wealth and ease of Boston, we came out upon the shores of the old harbor, and went into a yacht-club-house with a glorious prospect. Boston has more book-shops to the acre than any city within my knowledge except Aberdeen (not North Carolina, but Scotland). Its book-shops, however, are as naught to its yacht clubs. And for one yacht club I personally would sacrifice many book-shops. It was an exciting moment in my life when, after further wandering on and off coast roads, and through curving, cobbled, rackety streets, and between thunderous tram-cars and under deafening elevated lines, I was permitted to enter the celestial and calm precincts of the Boston Yacht Club itself, which overlooks another harbor. The acute and splendid nauticality of this club, all fashioned out of an old warehouse, stamps Boston as a city which has comprehended the sea. I saw there the very wheel of the _Spray_, the cockboat in which the regretted Slocum wafted himself round the world! I sat in an arm-chair which would have suited Falstaff, and whose tabular arms would have held all Falstaff's tankards, and gazed through a magnified port-hole at a six-masted schooner as it crossed the field of vision! And I had never even dreamed that a six-masted schooner existed! It was with difficulty that I left the Boston Yacht Club. Indeed, I would only leave it in order to go and see the frigate _Constitution_, the ship which was never defeated, and which assuredly, after over a hundred and ten years of buoyant life, remains the most truly English thing in Boston. The afternoon teas of Boston are far less English than that grim and majestic craft.

We passed into the romantic part of Boston, skirting vast wool-warehouses and other enormous establishments bearing such Oriental signs as "Coffee and Spices." And so into a bewildering congeries of crowded streets, where every name on the walls seemed to be Italian, and where every corner was dangerous with vegetable-barrows, tram-cars, and perambulators; through this quarter the legend of Paul Revere seemed to float like a long wisp of vapor. And then I saw the Christopher Wren spire of Paul Revere's signal-church, closed now--but whether because the congregation had dwindled to six or for some more recondite reason I am not clear. And then I beheld the delightful, elegant fabric of the old State House, with the memories of massacre round about it, and the singular spectacle of the Lion and the Unicorn on its roof. Too proudly negligent had Boston been to remove those symbols!

And finally we rolled into the central and most circular shopping quarter, as different from the Italian quarter as the Italian quarter was different from Copley Square; and its heart was occupied by a graveyard. And here I had to rest.

The second portion of the itinerary began with the domed State Capitol, an impressive sight, despite its strange coloring, and despite its curious habit of illuminating itself at dark, as if in competition with such establishments as the "Bijou Dream," on the opposite side of the Common. Here I first set eyes on Beacon Street, familiar--indeed, classic--to the European student of American literature. Commonwealth Avenue, I have to confess, I had never heard of till I saw it. These interminable and gorgeous thoroughfares, where each massive abode is a costly and ceremonial organization of the most polished and civilized existence, leave the simple European speechless--especially when he remembers the swampy origin of the main part of the ground.... The inscrutable, the unknowable Back Bay!

Here, indeed, is evidence of a society in equilibrium, and therefore of a society which will receive genuinely new ideas with an extreme, if polite, caution, while welcoming with warm suavity old ideas that disguise themselves as novelties!

It was a tremendous feat to reclaim from ooze the foundation of Back Bay. Such feats are not accomplished in Europe; they are not even imaginatively conceived there. And now that the great business is achieved, the energy that did it, restless and unoccupied, is seeking another field. I was informed that Boston is dreaming of the construction of an artificial island in the midst of the river Charles, with the hugest cathedral in the world thereon, and the most gorgeous bridges that ever spanned a fine stream. With proper deference, it is to be hoped that Boston, forgetting this infelicitous caprice, will remember in time that she alone among the great cities of America is complete. A project that would consort well with the genius of Chicago might disserve Boston in the eyes of those who esteem a sense of fitness to be among the major qualifications for the true art of life. And, in the matter of the art of daily living, Boston as she is has a great deal to teach to the rest of the country, and little to learn. Such is the diffident view of a stranger.

* * * * *


Cambridge is separated from Boston by the river Charles and by piquant jealousies that tickle no one more humorously than those whom, theoretically, they stab. From the east bank Cambridge is academic, and therefore negligible; from the west, Boston dwindles to a mere quay where one embarks for Europe.

What struck me first about Cambridge was that it must be the only city of its size and amenity in the United States without an imposing hotel. It is difficult to imagine any city in the United States minus at least two imposing hotels, with a barber's shop in the basement and a world's fair in the hall. But one soon perceives that Cambridge is a city apart. In visual characteristics it must have changed very little, and it will never change with facility. Boston is pre-eminently a town of traditions, but the traditions have to be looked for. Cambridge is equally a town of traditions, but the traditions stare you in the face.

My first halt was in front of the conspicuous home of James Russell Lowell. Now in the far recesses of the Five Towns I was brought up on "My Study Windows." My father, who would never accept the authority of an encyclopedia when his children got him in a corner on some debated question of fact, held James Russell Lowell as the supreme judge of letters, from whom not even he could appeal (It is true, he had never heard of Ste. Beuve, and regarded Matthew Arnold as a modern fad.) And there were the study windows of James Russell Lowell! And his house in its garden was only one of hundreds of similar houses standing in like old gardens.

It was highly agreeable to learn that some of the pre-Revolution houses had not yet left the occupation of the families which built them. Beautiful houses, a few of them, utterly dissimilar from anything on the other side of the Atlantic! Did not William Morris always maintain that wood was and forever would be the most suitable material for building a house? On the side of the railroad track near Toledo I saw frame houses, whose architecture is debased from this Cambridge architecture, blown clean over by the gale. But the gale that will deracinate Cambridge has not yet begun to rage.... I rejoiced to see the house of Longfellow. In spite of the fact that he wrote "The Wreck of the _Hesperus_," he seems to keep his position as the chief minor poet of the English language. And the most American and the most wistful thing in Cambridge was that the children of Cambridge had been guided to buy and make inalienable the land in front of his house, so that his descendant might securely enjoy the free prospect that Longfellow enjoyed. In what other country would just such a delicate, sentimental homage have been paid in just such an ingeniously fanciful manner?[1]

[Footnote 1: This story was related to me by a resident of Cambridge. Mr. Richard H. Dana, Longfellow's son-in-law, has since informed me that it is quite untrue. I regret that it is